UBIQUITOUS Floor standing

Ubiquitous reflects our understanding of what constitutes a thoughtful loudspeaker construction that is aiming to recreate the natural tonal qualities and harmonic content of actual musical instruments and voices. Since every diaphragm material alters the original sonic character to some extent, we looked for those that would cause the least alteration, and would come the closest to the original instrument/voice timbre.
Accordingly, we had to reject all metal/ceramic/hard materials, because, to our ears, they marked the biggest deviation from the original sound of the instruments and voices. The extremely hard and stiff diaphragms are also notorious for very strong breakup modes, that are difficult to control and demand complex crossover networks that have a devastating effect on the micro/macro dynamics response, soundstage size, and, most notably, the tone/timbre of instruments and voices. Since, currently, the "perfect" cone material does not exist, we had to use the one that has undergone the longest continual improvement period (over a century) and simply does the least damage to the music: paper pulp.
For the high frequency range, the air motion principle seemed to provide a similar set of desired attributes, but for this, specific spectrum.
Our speaker enclosures are very rigid, with strategic reinforcements and damping techniques, to provide an excellent basis for all drivers to perform their work undisturbed by any destructive effects.
The end result is a speaker that reproduces even the most demanding musical passages with ease and unhindered dynamism.